Hiatus Kaiyote - Choose Your Weapon Album Review the Needledrop
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Afterward a 3 year wait, fans of Hiatus Kaiyote have finally been rewarded with Choose Your Weapon, the tape on which the Australian iv-piece opens up their sound into wildly varied new territories. It's an e'er-shifting work, packed with techniques borrowed from a certain progressive rock tradition that includes Yes and Rush as much every bit The Mars Volta and prog jazz the likes of Weather condition Study. Listeners with attachment bug should be forewarned that the new LP has a penchant for leaving a groove but as it seems to be settling in and on a number of tracks, particularly in its first half, the shifts tin can become incredibly frustrating. Cull Your Weapon is not Tawk Tomoahawk, in a multitude of ways.
While the band's cardinal sense of groove is still intact, what Choose Your Weapon offers is a broadening of scope. Colorful rhythms again grow, but this fourth dimension they're painted across a wider canvas. Hiatus Kaiyote has diversified their song structures and tones in a very existent way and, merely put, this is a record with much more in it. It'south as well long and dense–seventy minutes of grooves proffered at a breakneck rate that closes in unproblematic beauty.
one. "Choose Your Weapon"
With its THX-inspired audible blossom, the record's title track is the sound of an adventure booting upwardly. As a kid'southward toy declares "The Kaiyote'south goes…," out of the drift a gritty beat arrives–a jostling knock the likes of which take past now become the ring'due south signature cry. Video game start screen voices add to the virtualness of information technology all. We are nigh to dash off into something wild.
2. "Shaolin Monk Motherfunk"
Choose Your Weapon's showtime proper runway opens from far-off merely speedily turns hyper-present and equally atomic number 82 vocaliser Nai Palm invites u.s.a. in, singing of clasped palms as nosotros drop into the music. "Shaolin" opens like the Hiatus Kaiyote have on vintage jazz–Paul Bender'south walking bassline punched by drummer Perrin Moss'due south old-school swing, which he'south cutting and pasted off the ride cymbal and onto his snare and hi-lid. By the time the ring leans back into a lush Afropop groove, CYW's nature is already clear: this is an anthology that's flooded with ideas. It eagerly swaps from one to the next, assigning the listener a sonic endurance test. While the songs on Tawk Tomahawk tended to peak and and so gently migrate away, Choose Your Weapon is much more than restless; "Shaolin Monk Motherfunk" curls back upon itself, Palm's gorgeous vocals leading the way, until a fiending synth riff caps it all off. A 6 infinitesimal gauntlet, it'due south the first (and merely) alarm shot allowed. Weapon'due south prog is strong and it's here to stay.
3. "Laputa"
A moment of bliss. Equally Simon Mavin's synthesizer paints huge pastel waves, Palm longs for someone–an "artisan dreamer" who can lead her farther down the path. "Laputa" is substantially a mood exercise, bringing to listen blooming forests and glittering stars as information technology gracefully swirls in and out of view. Palm's lyrics add to the result as she croons out a roster of hazy nouns, the best being "Miyazaki borderland." Choose Your Weapon–and "Laputa" especially–nails the sort of odd wonder that underlines much of Japanese anime and makes floating castles in the sky seem perfectly natural.
Here, it'southward important to pause and take stock. With "Shaolin Monk Motherfunk" and "Laputa," Hiatus Kaiyote accept demonstrated their new LP'southward yin and yang: knotty and restless prog-grooving counterbalanced out by irksome easy drifts. Choose Your Weapon motors at these two main speeds and while it'southward a gorgeous ride it's as well piece of cake to feel lost. It will take numerous listens for all these sections and interludes to fully download into our retentiveness banks; for now, keep plugged in and keep pressing on.
iv. "Creations Part I"
On what's essentially an extended intro to "Borderline With My Atoms," Hiatus Kaiyote brand it obvious they've been listening to Flying Lotus.
5. "Borderline With My Atoms"
With lines like "He saw my eyes plough gold and reptile" and "A ripe submergence of the highest guild / No borders," "Deadline With My Atoms" is surely a vocal about something, just what exactly is incommunicable to tell. Here, the new album falters a bit. Things drag forth from absurd soul into loud prog melodrama and even Mavin'south lush piano fills tin can't stem the feeling that "Borderline" is a patchwork song made of ideas that just didn't fit anywhere else. Palm'due south lyrics never surpass a kind of woozy moodspeak and as the entire runway fades away we're left a little bemused. Choose Your Weapon does indeed have some trimmable fat and a lot of information technology lies here.
half-dozen. "Animate Underwater"
Things apace come dorsum into focus as Palm'southward guitar, brighter and stronger than anything heard on Tawk Tomahawk, leads the style in. The band flips itself playfully over and over over again, just ever returns to a central groove that serves every bit reference. When the track premiered this spring, Palm underlined her mention of the Jerhico rose, a establish that can lay dormant a century of drought and so flower at the first hint of rain. "Breathing Underwater" is a vocal of overpowering dear–"I could exhale you lot underwater"–scrawled across a morphing parchment. "It'south besides a tribute to my musical hero Stevie Wonder," Palm said.
7. "Cicada"
A very welcome breather. Choose Your Weapon'south interludes are less extensive than those found on Hiatus Kaiyote's first LP, most likely because so many dissever composed sections made their manner into each vocal.
viii. "Swamp Thing"
The album's weakest moment, in which a decent hip-hop groove gets mussed past kitchen sink fills and a fake-horror chorus that'south incommunicable to accept seriously. Hiatus Kaiyote has always alloyed their funk with a impact of funny, only here the joke falls flat. Had "Swamp Matter" been edited down to its final minute of cool Glasperesque pianoforte it would accept served as an excellent album interlude, only equally it stands the track is a bloated wreck. Thankfully, information technology also marks the end of Choose Your Weapon'south slightly overweight offset half; from here on out it's meridian-tier bangers just.
nine. "Fingerprints"
Perfect execution. Tender lyrics, a just-right build and a uncomplicated, infectious hook make "Fingerprints" one of Hiatus Kaiyote'southward best recordings to date. Shut your eyes and you tin see a heartbreak evaporate in existent fourth dimension as the rail coasts from Mavin's gentle solo into a triumphant finish–phoenix lyrics and all. In an interview with Revive, Palm revealed that she wrote the song at the age of sixteen, and if that's the example, we have all the more than reason to be enthralled–her story of a teenager finding herself proves to be universal and profound. Every single measure on "Fingerprints" lives to serve the one that follows it and it'south a shame the song's cosmic drift tin't terminal forever.
Source: https://www.okayplayer.com/news/hiatus-kaiyote-track-by-track-review-choose-your-weapon.html
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